Club soundsystems in Melbourne suck.
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Club soundsystems in Melbourne suck.
Ok so i have been to a few gigs around the show since arriving in Melbourne. I have been less than impressed with the quality of the soundsystems. Especially for DnB. I saw Friction at Ms Libertines a while ago and the soundsystem was shithouse, had no dynamics whatsoever and no real sub bass. It was like the mix was rolled of at around 70Hz on the graphic then squashed to death with a compressor. Frictions tunes are always big beefy, smacking tracks and the soundsystem wouldnt have it.
Last night at State Of Mind at Laundry the system had no sub bass either, drum and bass should have a solid low end, and i felt none of it last night.
Maybe i am just used to the soundsystem at Fubar in Auckland.
Sorry, i dont mean to rant but i do love listening to and feeling my music.
Opinons?
Last night at State Of Mind at Laundry the system had no sub bass either, drum and bass should have a solid low end, and i felt none of it last night.
Maybe i am just used to the soundsystem at Fubar in Auckland.
Sorry, i dont mean to rant but i do love listening to and feeling my music.
Opinons?
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- ghetto kitty
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I agree that no club in Melbourne has an in-house sound system that is up-to-scratch for DnB. Most crews putting on shows however do bring in extra sound (although this is happening less and less over recent years unfortunately). The sound at Friction was horrid, but rest assured, most crews especially BBA are putting down for extra sound at their events (Break and Fierce anyone? PHWOAR!!!).
The Break and Fierce gig only had additional monitors to that of the in house sound system of the Gershwin Room. Drum n Bass has a small following in Melbourne and clubs are not willing to spend big dollars on sound systems that accommodate for small profiting markets when most sound systems can be adequate enough for more popular genres such as house and electro. Having said that, maybe if Kiwis supported more non New Zealand based drum n bass nights some clubs just might see the potential in hosting drum n bass gigs. Though credits due to those NZ cats that support any decent drum n bass night on a regular basis.
And always with the comparing AUS Vs. NZ. If you loved the scene and the club sound system, then why did you leave in the first place? (I'm from NZ too by the way) D'n'B ain't that big like it is back there. Yes it can be a pitty that the sound system in most places are shit. Plus it is down to the promoter (as mentioned already) who will be willing enough to add extra sound...and that too can be rare....
Also the sound system at Laundry is a hell of a lot better than it use to be, my ears would bleed coming from that place in the past.
Also the sound system at Laundry is a hell of a lot better than it use to be, my ears would bleed coming from that place in the past.
- FoundationStepper
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sound can make or break the night for me. i find drugs can make me more annoyed by shit sound, not helping any.
and the need for proper bottom end isnt limited to d+b but, dub parties ask for more too...
mates of mine who have played internationally a bit have often said australia has a real cultural issue where it comes to doing sound justice, and i agree. its a fault of our gaffer tape pub culture. totally the last thing to spend money on, and when they do they forget about soundproofing and cant even run it to potential.
During my masters research I came to the perspective that it is part of a broader cultural lack of appreciation/perceptive for sound in all its facets, as venue owners, DJs, residents, planners... its just not in the sope of peoples thinking
shambles
and the need for proper bottom end isnt limited to d+b but, dub parties ask for more too...
mates of mine who have played internationally a bit have often said australia has a real cultural issue where it comes to doing sound justice, and i agree. its a fault of our gaffer tape pub culture. totally the last thing to spend money on, and when they do they forget about soundproofing and cant even run it to potential.
During my masters research I came to the perspective that it is part of a broader cultural lack of appreciation/perceptive for sound in all its facets, as venue owners, DJs, residents, planners... its just not in the sope of peoples thinking
shambles
croaking lizard... jungletasticdubcorebadness (brap brap)
surface resonance... sound and vibration arts (buzz hum)
surface resonance... sound and vibration arts (buzz hum)
- SoulWhiteMan
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Amen brother! Its funny most people over here don't seem to notice the soundsystems, someone will ask me why the system sounds rubbish and i will tell them. They either don't understand or don't care. I think you could be right about the culture thing.FoundationStepper wrote:sound can make or break the night for me. i find drugs can make me more annoyed by shit sound, not helping any.
and the need for proper bottom end isn't limited to d+b but, dub parties ask for more too...
mates of mine who have played internationally a bit have often said Australia has a real cultural issue where it comes to doing sound justice, and i agree. its a fault of our gaffer tape pub culture. totally the last thing to spend money on, and when they do they forget about soundproofing and cant even run it to potential.
During my masters research I came to the perspective that it is part of a broader cultural lack of appreciation/perceptive for sound in all its facets, as venue owners, DJs, residents, planners... its just not in the sope of peoples thinking
shambles
I guess NZ has been doing the DnB thing since the beginning so they have had more time to work things out. The dude that set up Fubars soundsytem is a minimal techno dj/producer, and is fucking good at what he does. Maybe we should get him over here to build a system for Laundry. Mind you, i am sure there are plenty of knowledgeable people here that could do the same thing.
- FoundationStepper
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there is no lack of people here with knowhow, and i wouldnt get too excited about what NZ does that australia doesnt. i recall some pretty average sound over there too...
might be more to do with less clubs servicing fewer people in small town NZ (chch, wellington etc), with those few, more equipped venes catering for d+b as well.
might be more to do with less clubs servicing fewer people in small town NZ (chch, wellington etc), with those few, more equipped venes catering for d+b as well.
croaking lizard... jungletasticdubcorebadness (brap brap)
surface resonance... sound and vibration arts (buzz hum)
surface resonance... sound and vibration arts (buzz hum)
Were there some subs missing from the Laundry last night at SOM? I thought the sound wasn't as good as usual, but that could just be me. Usually the Laundry kicks my basslovin' ass.
I'm with FS on one call, the sound can make or break a night for me. What's the point in going out to see a DJ play his/her tunes if you can't hear them to their full potential. It's frustrating.
PS: Have we had this discussion before?
I'm with FS on one call, the sound can make or break a night for me. What's the point in going out to see a DJ play his/her tunes if you can't hear them to their full potential. It's frustrating.
PS: Have we had this discussion before?
Only the meek get pinched...the bold survive
- FoundationStepper
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I think so but i dont remember it being drawn on racial lines
croaking lizard... jungletasticdubcorebadness (brap brap)
surface resonance... sound and vibration arts (buzz hum)
surface resonance... sound and vibration arts (buzz hum)
i'm embaressed as a kiwi by some of the statements made on here. only this weekend some of my aus friends were giving props to the laid back kiwis culture to not rant on about "melbourne sucks, back in..." that aside, sound is important, i want to hear the music the way it's intended, but most nights out now, you'll find me wearing earplugs.
laundry has a Funktion 1....
Miss Lib's has a Nexo alpha....
need I say more?
that's not to say they couldn't be set up/tuned alot better, but these are two of the best club systems available. Talking about a small scene with peeps not willing to spend the money blah blah blah is a load of wank, sorry.
set-up of the system is a total different kettle of kipper, I wasn't at laundry this weekend so I can't comment on that occasion, but I've played two dubstep sets at the venue and the sound was on point.
Brown Blley brought in an extra funktion 1 rig to boulster the sound on there already huge martin FOH rig on saturday and it was MEGA. Even if you know what you are doing, like any DJ or Musician there are gunna "off" nights where you can't get the sound just how you'd like it.
I agree that sound is very important, and yes it does suck when it's not happening. But I think you have entirely the wrong view point as to the reasons and/or solutions.
Miss Lib's has a Nexo alpha....
need I say more?
that's not to say they couldn't be set up/tuned alot better, but these are two of the best club systems available. Talking about a small scene with peeps not willing to spend the money blah blah blah is a load of wank, sorry.
set-up of the system is a total different kettle of kipper, I wasn't at laundry this weekend so I can't comment on that occasion, but I've played two dubstep sets at the venue and the sound was on point.
Brown Blley brought in an extra funktion 1 rig to boulster the sound on there already huge martin FOH rig on saturday and it was MEGA. Even if you know what you are doing, like any DJ or Musician there are gunna "off" nights where you can't get the sound just how you'd like it.
I agree that sound is very important, and yes it does suck when it's not happening. But I think you have entirely the wrong view point as to the reasons and/or solutions.
Last edited by deviant on Mon Jun 11, 2007 7:24 pm, edited 1 time in total.
- FoundationStepper
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I think the whole NZ/ aus comparison is silly
but i do believe that culturally sound/noise awareness is lacking. but thats coming from a partly academic perspective, as well as dealing with venues etc for work. broader than some drumandbass argument
but i do believe that culturally sound/noise awareness is lacking. but thats coming from a partly academic perspective, as well as dealing with venues etc for work. broader than some drumandbass argument
croaking lizard... jungletasticdubcorebadness (brap brap)
surface resonance... sound and vibration arts (buzz hum)
surface resonance... sound and vibration arts (buzz hum)
Dan, come on man. That doesn't mean jack. Fact of the matter is that club systems in Melb do not cater for DnB. I'm in the process of organising and installing The Heartical Sound System into a Melb club once a month. Hopefully, it'll begin in August...deviant wrote:laundry has a Funktion 1....
Miss Lib's has a Nexo alpha....
need I say more?
- FoundationStepper
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three cheers for cubist
croaking lizard... jungletasticdubcorebadness (brap brap)
surface resonance... sound and vibration arts (buzz hum)
surface resonance... sound and vibration arts (buzz hum)
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Fucke yeah bro! Cant wait to hear some DnB on that rig! Love to check out some dub on that badboy aswell, cant even imagine how sik some aba shanti or iration steppa style basses would feel on that one. Chur!Cubist wrote:Dan, come on man. That doesn't mean jack. Fact of the matter is that club systems in Melb do not cater for DnB. I'm in the process of organising and installing The Heartical Sound System into a Melb club once a month. Hopefully, it'll begin in August...deviant wrote:laundry has a Funktion 1....
Miss Lib's has a Nexo alpha....
need I say more?
it'd be nice if we could avoid this turning into a sound system pissing match, guys.
myspace / too much! / photos (flickr) / photos (tumblr)
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- SoulWhiteMan
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Funktion one sounded amazing at Hernan Cattaneo on Saturday night....
One other thing, even lame sound systems can sound decent with a live mixer.
I don't see the point of having any kind of stack, if there's no live sound engineer on hand to make sure everything flows properly.
The times people have whinged about Brown Alley's sound, in my experience, no sound engineer has been on hand. Whenever one is present, it sounds much clearer..
One other thing, even lame sound systems can sound decent with a live mixer.
I don't see the point of having any kind of stack, if there's no live sound engineer on hand to make sure everything flows properly.
The times people have whinged about Brown Alley's sound, in my experience, no sound engineer has been on hand. Whenever one is present, it sounds much clearer..
Cubist wrote:And Nexo sounds like a cat being squashed...Sounds shit imo.
What exactly does a cat being squashed sound like?
Might need to either:
a) lay of the acid at gigs mate
b) ease the compressor/s back and/or fix EQ
c) install more Nexo.
I LOVE NEXO.
I'd prefer it Funktion 1 or EAW any day of the week. But... as with any system - only if it's been tuned properly. Gia knows his shit IMO.
Don't even get me started on where this statement goes wrong.Acoustic Warfare wrote:I guess NZ has been doing the DnB thing since the beginning so they have had more time to work things out.
What do you mean NZ has been doing d'n'b since the beginning? The beginning of what?
Do you think we just started running d'n'b parties here last week? Dnb has been alive and well (well almost well) in this city since the early 90s dude and before that there were numerous jungle parties.
Seriously. Think about what you are saying. I agree that there are issues with the sound here and as a DJ that can be really frustrating, but the majority of the people i talk to do care and most promoters do take that into consideration where ever they can afford to do so.
I have so say massive props to the new Espy in house sound. Sounded massive at Break and Fierce and i can't wait to hear Calyx and Teebee there too!
Goodness me mate, ease up on the backfoot fighting... your words, not mine.
What NZL has to do with this is beyond me though.
I mean, Papau New Guinea could have a club with a wicked system also - but that's neither here nor there IMO....
Just a bit over the whole... "everything is better in Kiwi land" argument.
Quoting you was just a bit of fun mate.
Fair enough, not arguing the point.ac23 wrote:The point of the whole matter is, the sound hear isnt up to much is it.
What NZL has to do with this is beyond me though.
I mean, Papau New Guinea could have a club with a wicked system also - but that's neither here nor there IMO....
Just a bit over the whole... "everything is better in Kiwi land" argument.
Quoting you was just a bit of fun mate.
- FoundationStepper
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I can think of a good handful of occasions where a place gets in a better pa but cant run it to capacity becuase they havent designed the venue to contain noise.
I think this is a big part of the picture here
I think this is a big part of the picture here
croaking lizard... jungletasticdubcorebadness (brap brap)
surface resonance... sound and vibration arts (buzz hum)
surface resonance... sound and vibration arts (buzz hum)
- universal sea
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Slightly off topic, but last week on the tram after a good night, I sat across from two kiwis who had just moved to Melbourne. One was totally blasting Melbourne food, he'd only been here a couple of weeks. He'd eaten bad indian, japanese, etc and lumped it into Melbourne being shit for food city-wide. Melbourne food is of decent international standard for sure. Sounded more to me like somebody who was homesick or having a negative attitude in his new chance at a fresh start in life.
The point being, it's not much time to form an opinion. Granted there haven't been many superb gigs lately, but in time, you will come across gigs where the sound is bang on for the space, who is playing, and the actual number of people in attendance.
And eat at enough restaurants you will find the quality food in the city.
The point being, it's not much time to form an opinion. Granted there haven't been many superb gigs lately, but in time, you will come across gigs where the sound is bang on for the space, who is playing, and the actual number of people in attendance.
And eat at enough restaurants you will find the quality food in the city.
- FoundationStepper
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kiwis living in melbourne slagging off melbourne or australia are a pet peeve of mine.
especially ones who have been here since before 2001 moaning about politics but never went through the steps to become a citizen and vote
especially ones who have been here since before 2001 moaning about politics but never went through the steps to become a citizen and vote
croaking lizard... jungletasticdubcorebadness (brap brap)
surface resonance... sound and vibration arts (buzz hum)
surface resonance... sound and vibration arts (buzz hum)
Yeah i guess i did get kinda fired up didn't i?! i guess i'm a little defensive about the scene that i've been a part of for over 10 years!ac23 wrote:Doesn't take away from the fact that Melbourne doesn't have any good soundsystems in clubs that cater for DnB or dubstepdust wrote:Don't even get me started on where this statement goes wrong.Acoustic Warfare wrote:I guess NZ has been doing the DnB thing since the beginning so they have had more time to work things out.
What do you mean NZ has been doing d'n'b since the beginning? The beginning of what?
Do you think we just started running d'n'b parties here last week? Dnb has been alive and well (well almost well) in this city since the early 90s dude and before that there were numerous jungle parties.
Seriously. Think about what you are saying. I agree that there are issues with the sound here and as a DJ that can be really frustrating, but the majority of the people i talk to do care and most promoters do take that into consideration where ever they can afford to do so.
I have so say massive props to the new Espy in house sound. Sounded massive at Break and Fierce and i can't wait to hear Calyx and Teebee there too!
This is nothing to do with a NZ vs AUS thing, the sound in Melbourne is really lacking sub bass.
Relax G
And funnily enough i do actually agree with the rest of this thread, sound is a massive issue on the Melb d'n'b scene atm.
- unsoundbwoy
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- universal sea
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- unsoundbwoy
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- unsoundbwoy
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i almost always wear ear protectionuniversal sea wrote:I was at evol intent and it was ridiculously loud where everybody had to wear earplugs - I didn't, and was deaf for a week. Not sure incessant volume constitutes good sound.
it wasnt just loud, it was incredibly clear, punchy and balanced, perfectly compressed and sooo detailed.
when paul blackout played the cemeteray gates remix, the instument came alive and then a big gnarley tack reece undercut it and swept in creating a massive wall of clear clen sounds .. and then the drums didnt even make the system wince
Direktor and Deviant - Personally, I don't like nexo. Their processing just doesn't sound right for me. And the theory of processing already highly processed music doesnt sit with me either. Aren't nexo designed for stadiums etc where they can throw the sound a long distance?
Same with Funktion 1. The long throw bass just doesn't sound right for DnB. I think funktion 1 are also designed for stadiums etc?
Front loaded 18'' subs sound heaps better imo. The bass just seems to come out and hit you more. Like really in ur face.
This is really important imo. As a promotor and a punter it's frustrating in Melb as clubs and managers don't understand the necessity for extra subs with DnB. The melody is the sub bass!
Same with Funktion 1. The long throw bass just doesn't sound right for DnB. I think funktion 1 are also designed for stadiums etc?
Front loaded 18'' subs sound heaps better imo. The bass just seems to come out and hit you more. Like really in ur face.
This is really important imo. As a promotor and a punter it's frustrating in Melb as clubs and managers don't understand the necessity for extra subs with DnB. The melody is the sub bass!