Nano feat. Monolake live January 19th 2008
Nano feat. Monolake live January 19th 2008
Electronic music pioneer Robert Henke and co-founder of the infamouse Ableton music production software comes to Melbourne for a true audio experience...
NANO presents MONOLAKE 100% LIVE - Saturday 19th January 2008
Nano is proud to present a true innovator in modern minimal music... Robert Henke aka Monolake 100% LIVE.
Monolake Live is a post-techno, dubstep influenced live performance,
that merges raw and massive beats and basslines with complex drones
to create a highly immersive atmosphere to get lost in while dancing.
Monolake's significant releases include the debut album Hongkong, the ambient epos Gobi, and the dark and driving album Gravity, plus his recent vinyl releases "Plumbicon" and "Alaska", which were instant classics amongst Melbourne's (and the world's) underground dancefloors, showing a development into more and more reduced and rhythmical structures while keeping a complexity and deepness that proved to be extremely powerful in the club context.
Robert Henke also releases drone/ambient works under his real name and is massively involved in the creation of the music software Ableton Live.
The Monolake LIVE show is set to inspire and excite you, as this incredible artist plays his only Melbourne CLUB show on Miss Libertine's monster NEXO soundsystem.
Support comes from your favourite Nano residents DAVE PHAM / NICHOLAS JOUIN / ANDREW JOBE and MIKE CALLANDER, plus our very special guests SCOTT DICKSON & U-ONE (LAB), GREG MOLINARO AND DECLAN KELLY.
Tickets $20 on the door. Doors open 10pm
Miss Libertine / 34 Franklin St. City.
www.nanominimal.com.au / www.myspace.com/nanominimal
NANO presents MONOLAKE 100% LIVE - Saturday 19th January 2008
Nano is proud to present a true innovator in modern minimal music... Robert Henke aka Monolake 100% LIVE.
Monolake Live is a post-techno, dubstep influenced live performance,
that merges raw and massive beats and basslines with complex drones
to create a highly immersive atmosphere to get lost in while dancing.
Monolake's significant releases include the debut album Hongkong, the ambient epos Gobi, and the dark and driving album Gravity, plus his recent vinyl releases "Plumbicon" and "Alaska", which were instant classics amongst Melbourne's (and the world's) underground dancefloors, showing a development into more and more reduced and rhythmical structures while keeping a complexity and deepness that proved to be extremely powerful in the club context.
Robert Henke also releases drone/ambient works under his real name and is massively involved in the creation of the music software Ableton Live.
The Monolake LIVE show is set to inspire and excite you, as this incredible artist plays his only Melbourne CLUB show on Miss Libertine's monster NEXO soundsystem.
Support comes from your favourite Nano residents DAVE PHAM / NICHOLAS JOUIN / ANDREW JOBE and MIKE CALLANDER, plus our very special guests SCOTT DICKSON & U-ONE (LAB), GREG MOLINARO AND DECLAN KELLY.
Tickets $20 on the door. Doors open 10pm
Miss Libertine / 34 Franklin St. City.
www.nanominimal.com.au / www.myspace.com/nanominimal
- witty_pseudonym
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- FoundationStepper
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titter at token dubstep reference for monolake
croaking lizard... jungletasticdubcorebadness (brap brap)
surface resonance... sound and vibration arts (buzz hum)
surface resonance... sound and vibration arts (buzz hum)
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Awesome gig. Loved it.
(except for the wankers complaining it wasn't dancey enough. wtf were they expecting?)
Even better, I had the pleasure of doing brunch today with Robert and got to pick his brain about Ableton, the Monodeck and his song setup. So for those who want to know:
The set is pretty much improvised throughout. All MIDI, no audio tracks. The drums were generated from the Operator synth or in Simpler. He's got one Live song open with short MIDI clips from his tracks. No clip was longer than four bars; most were only one bar. Rather than constantly triggering different clips to change up the sound, he'd leave the same clips running for a while and manipulate them either with fx or playing with the decay times on the synths. So all the long transitions, drones and build-ups were done on the fly.
(except for the wankers complaining it wasn't dancey enough. wtf were they expecting?)
Even better, I had the pleasure of doing brunch today with Robert and got to pick his brain about Ableton, the Monodeck and his song setup. So for those who want to know:
The set is pretty much improvised throughout. All MIDI, no audio tracks. The drums were generated from the Operator synth or in Simpler. He's got one Live song open with short MIDI clips from his tracks. No clip was longer than four bars; most were only one bar. Rather than constantly triggering different clips to change up the sound, he'd leave the same clips running for a while and manipulate them either with fx or playing with the decay times on the synths. So all the long transitions, drones and build-ups were done on the fly.
- huge
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bah forgot about this lol.
http://www.thelittlemule.com - tredleys and caffeine
http://www.dubstep.com.au - aussie dubstep forums
http://www.dubstep.com.au - aussie dubstep forums
- huge
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nopes. will be in adelaide lol
http://www.thelittlemule.com - tredleys and caffeine
http://www.dubstep.com.au - aussie dubstep forums
http://www.dubstep.com.au - aussie dubstep forums
I loved to see him do one of his ableton tuts on the way he plays live.Special Hegg wrote:Awesome gig. Loved it.
(except for the wankers complaining it wasn't dancey enough. wtf were they expecting?)
Even better, I had the pleasure of doing brunch today with Robert and got to pick his brain about Ableton, the Monodeck and his song setup. So for those who want to know:
The set is pretty much improvised throughout. All MIDI, no audio tracks. The drums were generated from the Operator synth or in Simpler. He's got one Live song open with short MIDI clips from his tracks. No clip was longer than four bars; most were only one bar. Rather than constantly triggering different clips to change up the sound, he'd leave the same clips running for a while and manipulate them either with fx or playing with the decay times on the synths. So all the long transitions, drones and build-ups were done on the fly.